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Best Buy offering iPhone 6s for $1 on contract w/ Sprint & Verizon starting tomorrow

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We’ve received word that starting tomorrow Best Buy is going be offering the 16GB iPhone 6s, normally $199 on-contract (and often on sale for $99), for just $1. Head below for details… 

The deal is good for the device on the usual two year agreement through either Sprint and Verizon. And to sweeten the deal for upgraders, Best Buy will throw in a gift card up to $200 if you trade in your iPhone 5 when making the purchase.

Best Buy currently has the iPhone 6s in all color options— Silver, Gold, Space Gray, and Rose Gold— for both Sprint and Verizon online. It’s on sale for $99 for Verizon and available for the regular price of $199 for Sprint right now, but the price drop to $1 will kick in officially sometime tomorrow.

Bookmark Best Buy’s iPhone 6s page or check in-store tomorrow for the deal.

Filed under: iOS Devices Tagged: 1, 16GB, Best Buy, code, deal, discount, iPhone 6s, on contract, promo, Sprint, Verizon

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Opinion: Today’s Apple promotions cover executive losses, hint at Apple’s future

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Earlier today, Apple announced some of the most wide-ranging changes it has made at the senior executive level since iOS chief Scott Forstall was ousted and replaced in late 2012. Senior VP of Operations Jeff Williams was promoted to COO (Chief Operating Officer), Johnny Srouji was elevated from VP to Senior VP of Hardware Technologies, Senior VP of Marketing Phil Schiller added App Store responsibilities, and Tor Myhren is leaving the Grey Group to be VP of Marketing Communications at Apple, replacing Hiroki Asai. Let’s take a look at what each of these changes is likely to mean…

Jeff Williams – COO:

Of all the changes announced today, Jeff Williams’ promotion is essentially a no-brainer. Since former COO Tim Cook took over for Steve Jobs as CEO in 2011, Apple has not had a de facto COO, but Williams took over the majority of operations responsibilities and then some. With Cook serving in recent years as a representative of Apple, traveling all over the globe and managing more meetings and day-to-day business tasks, Williams has picked up additional responsibilities for Apple’s entire supply chain. This promotion is simply recognizing what Williams has already done for years. It also broadens his title, which makes sense given that he took over the Apple Watch engineering team after Bob Mansfield’s 2013 role reduction and led other medical-related efforts including ResearchKit.

The fact that Apple’s COO remains in charge of the company’s wearable and health efforts indicates that Apple has a pipeline of additional health-related products coming down the road. The Apple Watch 2 is already scheduled for debut in March, and as comments from Tim Cook indicate that Apple will not seek FDA approvals for the Apple Watch — but could do so for related accessories — it’s reasonable to expect health-related expansion in new bands and related apps.

abdophoto_2015-Dec-17Williams at last night’s Warriors game (in Eddy Cue’s seat?)

Looking even further down the road, Williams is likely instrumental in the development of the Apple Car. Building a car requires an entirely new supply chain for Apple that focuses on sourcing and manufacturing automotive parts, and Williams is certainly in charge of those tasks, as well as future distribution models. Williams’ stage time at Apple events has also been growing over the past year, so it makes sense to combine that with a title upgrade. The COO title likely comes with a significant pay raise and upgraded stock bonuses program that will lock Williams into Apple for many more years to come.

Lastly, naming Williams COO makes him the obvious choice in the eyes of investors as the successor to Tim Cook should a change to the CEO position have to occur in the near future. An unnamed Apple executive was quick to tell the WSJ this morning that more than just Williams would be capable of taking over for Cook, but I still believe a (small) portion of the title change was designed to reassure investors that Apple is doing emergency CEO succession planning.

Johny Srouji – Senior VP of Hardware Technologies:

Johny Srouji has led Apple’s chip efforts since the A4 with the iPad and iPhone 4 in 2010, and he, too, became an increasingly important player in the Apple food chain after Bob Mansfield’s role reduction over the past couple of years. Srouji first gained exposure on Apple’s website as a vice president last year, and he has been increasingly visible on the executive bench at Apple events over the last year or so. With the iPad Pro’s A9X and the increasingly visible transition to ARM Macs, Srouji is also more important than ever to Apple’s future.

His elevation to Senior VP does a few things, including a significant salary raise along with an upgraded stock options program. Naturally, Srouji has led one of the world’s largest and most successful chip making groups in the entire world by running Apple’s. There are plenty of other chip making companies that would instantly throw millions of dollars and a CEO title at Srouji if given the opportunity, and a pay raise along with a title promotion helps ensure that Srouji remains at Apple for the long haul.

Next, elevating Srouji to the senior team puts two engineering managers on the Apple executive board. Hardware is perhaps the most critical element of Apple’s business, as its development (in combination with supply chain management) directly feeds Apple’s profit machine. If Srouji or Dan Riccio, Apple’s general Hardware Engineering Senior VP, left the company, the company has a natural successor in place to take both groups back into one unit. Prior to the 2012 Apple executive changes, all Apple engineering matters were under one manager: Bob Mansfield.

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Phil Schiller – App Store Additions:

Schiller, head of all marketing and product management efforts, is taking on new responsibilities related to the App Stores. What’s interesting is that these responsibilities appear to be coming out of Eddy Cue’s portfolio. A check on Cue’s official biography does indeed indicate a reduction in portfolio for the long-time executive. As of yesterday:

Eddy oversees Apple’s industry-leading content stores including the iTunes Store, the revolutionary App Store and the iBooks Store, as well as Apple Pay, Siri, Maps, iAd, Apple’s innovative iCloud services, and Apple’s productivity and creativity apps. Eddy’s team has an excellent track record of building and strengthening online services to meet and exceed the high expectations of Apple’s customers.

Here it is today:

Eddy oversees Apple’s industry-leading content stores including the iTunes Store and Apple Music, as well as Apple Pay, Siri, Maps, iAd, Apple’s innovative iCloud services, and Apple’s productivity and creativity apps. Eddy’s team has an excellent track record of building and strengthening online services to meet and exceed the high expectations of Apple’s customers.

No longer listed: the App Store and the iBooks Store. Recently, many developers have publicly voiced their dissatisfaction with the App Store (long iOS review times, Mac App Store being neglected, lack of features in the Apple TV store), so it makes sense for Apple to put an executive, one already in the public eye, out in front of these issues. Schiller previously ran developer relations as well, so combining all of these together makes sense. The surprising part here is that the removal of the App Store from Cue’s bio page could indicate that the App Store technology and development team might be under Schiller’s direction as well. What about the iBooks Store — is that under Schiller too now? Or is Apple now considering iBooks to be part of its suite of productivity apps?

Given what’s been going on with Apple Music, as well as repeatedly stalled negotiations for Apple TV-related services, it looks like Eddy Cue has had too much on his plate, and moving App Store responsibilities over to Schiller could be a wise shift.

Tor Myhren – VP of Marketing Communications:

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The last significant change announced today is that Grey Group’s Tor Myhren is joining Apple in 2016. Here are his responsibilities at Apple, per the press release:

Tor Myhren joins Apple from Grey Group, where he has served as chief creative officer and president of Grey New York. Under his leadership, Grey was named Adweek’s Global Agency of the Year for both 2013 and 2015. As vice president of Marketing Communications at Apple, Tor will be responsible for Apple’s advertising efforts and will lead an award-winning team that spans a broad range of creative disciplines from video, motion graphics and interactive web design to packaging and retail store displays.

This puts Myhren in charge of Apple’s visual brand: everything you see on Apple billboards, packaging, website, and stores. But glossed over in most coverage is the last sentence in Apple’s announcement:

Tor will succeed Hiroki Asai, who earlier announced plans to retire after 18 years in graphic design and marketing communications roles at Apple.

While Apple says Asai “earlier announced plans” to retire, I couldn’t find any public indication of this “announcement” prior to today. He may well have announced it internally months ago, however. Asai leaving Apple is very significant: he worked at Apple for 18 years and was “known as a silent force who understood what Jobs thought about the Apple brand,” according to Inside Apple author Adam Lashinsky. A colleague also told Lashinsky that Asai “knew how to channel Steve.” Alongside Steve Jobs, Phil Schiller, and Jony Ive, Asai was also critical in advertising meetings, according to Insanely Simple author Ken Segall. Asai gained even more importance across 2014 when he, alongside Schiller, took charge of moving portions of Apple’s advertising operations from Media Arts Lab into Apple’s internal structure. With those facts combined, Asai’s retirement is significant, but Myhren’s resume puts him in a good position to be a worthwhile successor. As Adweek notes, Myhren tripled Grey’s awards at the Cannes Lions Festival, and earned Grand Prix awards for automotive and audio service ad campaigns.

Top Screenshot via DroidLife, Schiller via DesignoMatt, Asai/Jobs image via Business Insider.

Filed under: AAPL Company, Opinion

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‘Grand Theft Auto: Liberty City Stories’ comes to iPhone & iPad

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Rockstar Games announced today that it’s bringing Grand Theft Auto: Liberty City Stories, the ninth game in the series originally in 2005, to iOS users.

You’ll find the full game packed into the iOS version for iPhone and iPad, which Rockstar notes in its press release was “originally designed with mobile gameplay in mind” for the PlayStation Portable (PSP). But you’ll also find some new features including some that take advantage of the iPhone and iPad’s touch display, iOS specific features like 3D Touch, and the larger iPad Pro:

• New high resolution textures and character art
• Real time lighting and shadows
• 60 FPS gameplay on iPhone 6s, iPhone 6s Plus & iPad Pro
• Enhanced draw distance
• Rebalanced controls for touch-based gaming
• Cross-platform cloud saves via the Rockstar Social Club
• 3D Touch support for multiple control options
• Custom soundtrack support*
• Physical controller support
• Native retina screen support including the iPad Pro

Grand Theft Auto: Liberty City Stories is available on the App Store now for iPhone and iPad for $6.99. It’s officially supported on the following devices: iPhone 5 & 6 Series, iPod touch 6th gen, iPad 4th gen, iPad Air/Air 2, iPad mini 2/3/4, and iPad Pro.

Another notable game release for iOS users today: Frogmind released the brand new BADLAND 2 for iOS and dropped the popular original game down to $3 (Reg. $5).

Filed under: Apps Tagged: App Store, Grand Theft Auto, iOS, iPad, iPhone, liberty city stories, Rockstar Games, update

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9 Principles of Mobile Web Design

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In case you missed it, we now live in a mobile-dominant world. This year, Google reported that 52% of search traffic and almost half of shopping traffic comes from mobile devices, so a compatible web design is no longer a luxury, but a necessity. In April of 2015, “Mobilegeddon” transformed the marketing world as we know it, putting responsive and mobile websites at the forefront of a marketer’s mind.

And with Google’s mobile-friendly algorithm in place, you’d expect all sites to be compatible in this day and age. But that’s simply not the case. Nearly half of marketers don’t have their websites optimized for mobile, despite the increase in search traffic and the effect on rankings.

So what gives? Has the algorithm’s impact not been significant enough to warrant a redesign? Are businesses not getting customers from mobile?

Despite the upward trend in mobile usage, it’s important that we don’t discount desktop users. Time on site and number of pages viewed are three times greater on desktop than on mobile devices, and desktop is the preferred technology for reading news and watching videos.

These figures are certainly too significant to ignore, and it sheds an important light on mobile user behavior as well. Due to smaller screen sizes and often being on the go when using a mobile device, consumers are coming to a website with a clear plan of action. If the site they visit can’t give them the information they need quickly, they’ll go find one that can. This means that you have to provide them with what they’re looking for right off the bat; there’s no time to waste.

With that in mind, many designers are building websites with a mobile-first mentality, ensuring that pages aren’t bogged down with long load times, too many graphics, or content that requires a user to zoom in and out to read. If your site isn’t mobile-friendly yet, don’t panic. Redesigning a website to fit a responsive design, or creating a separate mobile site altogether, isn’t as complicated as you might think! There are plenty of builders out there that can do the job, likely the one your current site is built in.

Whether your business has fully adopted a mobile strategy or you’re still figuring out the best route to take, make sure you keep these principles of mobile web design in mind.

1) Make Menus Simple and Concise

On a mobile device or tablet, you can’t expect users to scroll through a large menu or click through to multiple sub-menus. There just isn’t enough space on the screen to process it all. It’s important that menus contain a high-level overview of the products and services you offer to allow visitors to narrow down what they’re looking for. From there, they can click to a specific category or utilize the search feature to filter their results further.

The ideal menu has no more than 5-6 items, giving users just enough information to guide their search. There should also be no more than two sub-menus within the main menu, if they are necessary at all. In terms of style, the “hamburger” menu (hamburger-menu-1.png) has been widely adopted, so you don’t need to say “Menu” for users to know where it’s located. Other companies have added their own twist to the traditional menu, like Carrabba’s.

Carrabbas_Mobile_Site.png

On their mobile site, they have a simple dropdown below their logo, which unfolds five options. Since the restaurant menu and location finder are already located in the header, they don’t need a place in the list. They’ve effectively kept their menu simple and featured the most important elements of their website front and center.

When you’re coming to a restaurant’s website, you’re likely looking to do one of a few things: check out their menu, find a location, or order online. Carrabba’s site allows you to accomplish all of these things quickly and easily, without bogging you down in sub-menus full of appetizers, pasta dishes, and happy hour specials.

2) Keep Forms Short and Sweet

When it comes to completing contact forms on mobile, users are not interested in filling out field after field of information. For those situations, they’ll likely opt for a desktop or laptop. That’s why it’s even more important that you only ask for information that is absolutely necessary to accomplish the task.

If your contact form is to sign up for a newsletter, you shouldn’t ask the user for more than a name and email address. Even for payment forms, try to keep the number of form fields to a minimum. Consumers understand that more information is necessary to make a purchase, but it’s important that you’re sensitive of their time, especially if you receive a lot of mobile traffic.

In order to determine the ideal number of form fields, A/B test by changing or removing one field at a time to assess the impact on completion rates. For example, people are more likely to fill out a form if you don’t require their phone number, so try testing your form with and without that field or compare it as a required vs. optional field to see how it performs. Then compare these results to the actual ROI earned through each method to determine whether or not you should include it.

MasterCard is a great example of a company that utilizes contact forms while being thoughtful of a mobile user’s time. To reach their support team, the only required fields are first name, last name, email address, topic, and comments. This gives them just enough information to look up your account and direct your inquiry to the right department, without being too time-consuming or invasive.

MasterCard_Mobile_Site.png

They also give you the option to provide more information like phone number, type of card, and financial institution, so that if you do want to include any or all of these details, you can. But if not, you can still have your question or need addressed. Consumers are especially protective of financial information, so giving them this freedom not only caters to their mobile needs, but helps build trust.

3) Simplify Form Fields

In addition to form length, the types of questions you ask shouldn’t require too much input from users. It’s important that you utilize different field types in your form, such as dropdowns, checkboxes, and calendars. These are especially useful when typing in payment or shipping information, as well as booking travel.

You also want to provide as much clarity as possible in your form, making it obvious which pieces of information are required and which are optional. To make things easier for returning customers, utilize autofill to expedite the purchasing process, and offer guest checkout to new customers who don’t want to make an account.

It’s essential that companies in the travel industry take advantage of simple forms to aid potential customers in the search process. Expedia is a perfect example of this, featuring easy-to-see buttons and requiring very few fields to conduct a search.

Expedia_Mobile_Site.png

When searching for a flight, if you click on the “From” or “To” buttons, they will suggest locations as you type a city or airport code so you don’t have to type in the whole thing. They also make the calendar feature much easier than some other sites, allowing you to see the calendar and click your departure and arrival dates on the same screen. 

4) Catch Your Visitor’s Eye with CTAs

Calls-to-action are an essential part of any web design, but they play an especially important role on mobile. Since, as opposed to their desktop counterparts, mobile users typically have more of an idea of what they’re looking for when they come to your site, make it as easy to find as possible with CTAs placed in the most valuablereal estate.

Ideally, they should be located above the fold, use contrasting colors or fonts to make them stand out (within reason, of course), and clearly state what the offer is for. The following steps should be laid out clearly so you don’t leave visitors wondering what they need to do next.

Papa John’s uses their homepage’s prime real estate to focus on a holiday promotion, which encourages visitors to pick up a gift for family or friends while they place an order online. The text is bold and stands out from the page, while still fitting with their color scheme and branding. And most importantly, you know what you’regetting if you click on the CTA. They don’t try to sugarcoat it with flowery language or fine print, so users can quickly get in, get out, and get their favorite pizza in a snap. 

Papa_Johns_Mobile_Site.png

5) Bring Users the Search Results They Want

Site search is especially important to mobile users that come with a specific plan of action in mind. They’re less likely to dabble with vague menus or scroll through page after page of products. That’s why it’s all the more important that your search results provide exactly what the visitor is looking for on the first page. Once a user completes a search, provide filter options so that they can sort the results as it best pertains to them (e.g. price, relevance, top sellers, etc.).

It’s also important to feature an image, price, and short description with each item so that the results pages aren’t bogged down with text and the user doesn’t have to click on several products to find the right one. The images should be clickable and expand within the same window to help visitors get a better view of the product without having to go all the way to its individual page. Then when they do find what they’re looking for, they can click on that particular item to learn more and purchase.

In a search for “Hoodies” on Under Armour’s website, you’re presented with several filtering options to narrow down the 371 results. You canselect by department, filter by price or size,or sort the options to see the highest rated or lowest priced products at the top.

Under_Armour_Mobile_Site.png

This is an area where consumers prefer having more options so they can have a more direct search path and only spend time looking at items that are most relevant to them. The page provides you with ample information to help you proceed with your search, and is presented in a way that’s clean and not overwhelming to a mobile screen. 

6) Make It Easy to Contact You

With any ecommerce site, the ability to quickly contact a company is essential. If you have any questions or issues with an order, you want to make sure they can be answered or resolved in a timely manner. For mobile users, this means having a click-to-call feature prominently displayed on the website. This, along with a contact form or email address, will give visitors options so that they can contact you in the way that best fits their preferences and the urgency of their need.

It’s also helpful to have an FAQs page to give users the ability to seek answers to questions they have without requiring them to actually contact you. Most consumers would agree that if they can figure it out on their own, they would rather do so.

Another mobile-focused way to provide easy contact is by embedding a Google Map of your location onto your site. Allowing visitors to click on the map, zoom in and out, and search for directions from the Google Maps app will make sure that they have no trouble finding your brick-and-mortar location if you have one.

Online retailer Zappos understands the importance of being able to contact them quickly and easily to inquire about an order, returns, and promotions. That’s why they have a click-to-call customer service number displayed above the fold on the homepage. This way, customers that need immediate support can take one step to contact them directly without having to dig around the entire website to find the Contact Us page.

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7) Design with Thumbs in Mind

By far the most common complaints users have about non mobile-friendly sites are that the buttons are too small to click on and text is hard to read. The foundation of responsive or mobile website design is that there is no need for zooming in and out to read content or click on a link. So when you’re designing your web pages, make sure that each button is large enough to be clicked on, and that they’re not spaced so close together that you might accidentally click on something you didn’t want to.

And don’t require visitors to pinch the screen to make text legible, just to have to zoom back out to click on another link or page. As a rule of thumb (no pun intended), the minimum tap area to accommodate a user’s thumbs should be 44px by 44px. It might be hard to adapt to every smartphone’s screen size, but it’s generally advised that you try to design your site with a few older models in mind, since older phones tend to have smaller screens. That way you can ensure that your content is easily visible across platforms.

The buttons on Southwest Airlines’ mobile site are easily clickable, and there’s no issue trying to read what the buttons have to say. Allowing them to take up (almost) the entire width of the screen makes it compatible to any user, and also provides them with a limited number of options to guide their search. You aren’t distracted by extra text or multiple CTAs so you can focus on why you came to the site in the first place: to search for a flight or manage current orders.

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8) (Load) Time is Precious

As consumers, our patience is wearing thinner by the day. For mobile users, even more so. Since many are accessing your website on the go, it’s important that you don’t leave them waiting around for pages to load. Your site should be able to accommodate both WiFi and non-WiFi connections equally, ideally loading a page in less than four seconds.

Over half of mobile users expect a site to load in four seconds or less, and 80% are unhappy with the current browsing speed on smartphones. That’s a lot of potential customers bouncing from your website due to something that is almost entirely controllable (barring poor cell reception). Some goals to keep in mind for mobile web designers are to keep the entire site’s size under 1MB and use images and videos wisely. The more visual content you have, the slower your website will likely be.

For businesses in the news or publishing industries, they understand that consumers are looking to get the information they need quickly. The New York Times’ mobile site loads almost instantly, even without a WiFi connection. A lot of mobile users check their favorite news outlets when they only have a minute or two to spare, and just want to get caught up on the happenings of the day. The New York Times is able to deliver trending stories from a variety of categories, and they’re able to do so with a very swift load time.

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9) Avoid Pop-Ups If You Can

In general, users aren’t huge fans of pop-up ads or surveys, let alone on a mobile device. Oftentimes, the box to close them out is so small that you have to zoom in to do so or you may accidentally click on an ad when you didn’t want to. Time is of the essence for mobile users, so using pop-ups simply gets in the way.

This is also an area where companies that feature publications or allow users to subscribe to content have to pay attention. It can be tempting to include a pop-up to encourage people to sign up for email alerts or a newsletter, but the reality is that most mobile users aren’t looking for that. If they want to sign up for something, they probably already know that they want to and will take the necessary steps on your website to find that form.

BuzzFeed’s site on both desktop and mobile features sponsored posts and ads, but they don’t use any pop-ups to try and get you to click through or sign up for one of their several newsletters (“Dog A Day” newsletter, anyone?).

In the screenshot below, you can see that their post “15 Tiny Ways to Take Yourself Less Seriously” is sponsored by Captain Morgan, but by clicking on the post you aren’t faced with an annoying pop-up. If you want to click on the hyperlink to Captain Morgan’s website, you can, but there’s no opting out necessary. BuzzFeed does the same with CTAs for its newsletters. They give users the ability to opt-in, but don’t force them to view content they don’t want to look at.BuzzFeed_Mobile_Site.png

Does Your Web Design Fit the Mobile Mold?

With the prominence of mobile search and greater buyer intent on mobile devices, this is certainly a trend that you can’t afford to sit out on. Mobile’s influence on marketing and buyer behavior is on the rise, and there’s no sign of it slowing down. If you’ve decided to revamp your desktop site, you should prioritize compatibility across devices through responsive design or a separate mobile site. As marketers we must possess a mobile-first mentality, or risk having our business fall not only in search rankings, but in consumers’ minds.

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Frogmind releases the brand new BADLAND 2 for iOS, drops original down to $3 (Reg. $5)

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From 9to5Toys.com:

Many of you have likely played former Apple Game of the Year winner BADLAND. Well, the very highly rated, puzzle-platformer (flyer?) is now getting its first official sequel courtesy of developer Frogmind.

More details and gameplay footage below:

It looks like we will be getting more of what what we loved about the original including levels that scroll in both directions, online challenges, a full single player campaign and an all-new death dealing array of traps and hazards to avoid. Judging by the 4+ star rating from over 20,000 gamers on the original, it’s hard to imagine the sequel not being just as good.

As you may have noticed in this morning’s games/app roundup, the original has gone on sale to celebrate the release of the sequel.

BADLAND 2 is now available for download in the App Store for $4.99. Here is the release trailer:

You’ll find all of our best game deals across every platform in our daily roundups and the entire Infinity Blade Trilogy went on sale this morning. A bunch of MacPhun Mac apps are also on sale right now for as much as 40% off.

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Witness the award-winning world of BADLAND in even more stunning beauty with levels that extend and scroll to all directions. Survive through new elements such as liquids, flamethrowers, frost, magma, water and volumetric burning light. Fall down deadly rifts, fly to any direction and race & jump along the surfaces as a rolling character on your way to safety.

Challenge your friends and strangers in constantly updating global online events. Race against their best performances and rise in the global rankings.

Features:

– A SINGLE PLAYER campaign with deviously imaginative levels

– Global ONLINE CHALLENGES

* Challenge your friends and others in asynchronous online events

– Intuitive two-touch controls combined with innovative level design

– Highly immersive audiovisual gaming experience – best enjoyed with headphones

– Universal app optimized for iPhones, iPods and iPads

– Game Center and iCloud support

* Progress synced between all linked iOS devices

– Achievements & online leaderboards

– 3D Touch support for iPhone 6S and iPhone 6S Plus!

* Super precise flying using touch

* Quick actions added to home screen icon to quickly access single player and online

– More levels coming soon as free updates

* The original BADLAND is one of the most updated iOS games of all time

Filed under: Apps, Tips and Tricks Tagged: Apple Game of the Year, BADLAND, BADLAND 2, new iOS games

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9to5Toys Lunch Break: Logitech keyboards/mice up to 60% off, 15″ Retina MacBook Pro from $1,650, more

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Keep up with the best gear and deals on the web by signing up for the 9to5Toys Newsletter. Also, be sure to check us out on: Twitter, RSS Feed, Facebook, Google+ and Safari push notifications.

TODAY’S CAN’T MISS DEALS:

Logitech Bluetooth Easy-Switch K811 Keyboard for Mac

Amazon Gold Box – Logitech Accessories up to 60% off: Wireless Keyboards $19+, Mice $14+, Desktop speakers $8+, much more

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Apple 15-inch Retina MacBook Pro (newest version) 2.2GHz/16GB/256GB: $1,700 or $1,650 w/ .edu (Reg. $1,999)

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Bowers & Wilkins recert: P3-P5 headsets $90-$140, AirPlay A5-A7 Speakers: $300-$500 shipped

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Grab the entire Infinity Blade Trilogy on iOS for just $1 each ($20 value)

PayPal Digital Gifts

Gift Cards w/ Email Delivery: Sears $100 for $85, Cabela’s $50 for $40, Spotify $60 for $50, more

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Apple Watch Sport $100 off at B&H Photo, prices start at $249 with tax only in NY

Best Buy’s latest Apple sale is your best chance to score iPad, Mac, & Watch deals before Christmas: iPad Air 2 $125 off, iPad Air $100 off, iPad mini 4 $100 off, much more!

MORE NEW GEAR FROM TODAY:

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Games/Apps: Yoshi’s Woolly World $35, Xbox One bundles from $291, Wii U bundles from $250, freebies, more

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Fashion: Amazon Gold Box – up to 75% off last minute gifts, Calvin Klein Fleece $41 (Reg. $90) + J.Crew Factory 70% off

MORE DEALS STILL ALIVE:

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USB Chargers w/ Prime shipping: Imneed 10,000mah Slim power bank $12, Nylon Braided Lightning Cable $8, more

Anker USB Power Deals: Astro E7 26,800mAh Power Bank $40 (Reg. $60), Braided Nylon MFi Lightning Cables from $8, more

anker-sport-armband2 (1)

iPhone 6/s/Plus Accessories: Sport Armbands from $6, cases in a variety of colors/styles from $3 shipped, more

NEW PRODUCTS & MORE:

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The FLUXO Smart Lamp lets iOS and Android users paint their walls with light

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Justin’s Holiday Gift Guide: speakers, Lightning mics, pocket synths & more to up your home recording set-up

Trevor’s Holiday Gift Guide: The perfect accessories for travel – backpacks, cord management, more

Dan’s Holiday Gift Guide: rare Apple collectibles & swag for the techie who has everything

Skip the holiday blues with these practical stocking stuffers

Top 10 holiday movies you can stream right now on Netflix

Filed under: Tips and Tricks Tagged: 9to5Toys Lunch Break

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Benefits of an “Agile” Mindset

Benefits of an “Agile” Mindset
By Perry McLeod
Projects are a social endeavor. Traditional project management approaches have shied away from the social advantages a more agile project environment brings. By nature, we are storytelling, pattern seeking and social people. We need colocation to shine truly in a project environment. Agile is about creating and fostering a […]

from Project Management Articles – PM Hut http://ift.tt/1UEZMt9
via pmhut.com

7 Feel-Good Examples of ‘Joy Marketing’ Campaigns

Joy_Marketing_Examples-1.jpeg

In the world of marketing, there’s no shortage of new strategies designed to engage audiences and inspire purchases.

From scarcity marketing to viral marketing, there are a ton of different options for businesses to explore. But if there’s one thing we know for sure, it’s that emotions rule our decision-making. 

Considering the relationship between our actions and emotions, it should come as no surprise that finding ways to incorporate joy into your marketing efforts can have a profound impact on the way people perceive your brand. It’s a concept called joy marketing, and it’s worked for a lot of big brands.

Want to learn more? Keep reading.

What’s Joy Marketing?

Joy marketing is a term used to describe campaigns that elicit a specific emotional response: joy. From sentimental adverts to inspiring quotes, this approach allows brands to connect with their audience on a deeper, more meaningful level. 

The concept of using joy marketing as a tool for boosting sales has quickly gained strength following the surfacing of research by psychologist Sonja Lyubomirsky. Lyubomirsky’s research on behalf of ConAgra’s Reddi-wip found that 93% of Americans were on a quest to experience more joy in their lives.

What exactly does joy marketing look like? And how can you use it to boost business? We’ve got you covered with 7 noteworthy examples from brands like Coca-Cola and West Jet. 

7 Examples of Joy Marketing From Top Brands

1) McDonald’s: #Imlovinit24

Following their worst sales results in over a decade, McDonald’s re-launched their “I’m lovin’ it” campaign … with a twist. 

While the original campaign asked people to talk about their happiest moments in McDonald’s, the new campaign actually created memories. Taking shape over the course of one day, McDonald’s set out to bring “moments of joy” to 24 cities across the globe. 

As a result, people associated feelings of happiness with the McDonald’s brand, creating an emotional connection built on joy.

Joy marketing at its finest, perhaps? 

2) Johnnie Walker: Joy Will Take You Further 

Another high-profile brand to get in on the science of joy was the world’s top-selling Scotch whisky brand, Johnnie Walker. The brand called up psychologist Matt Killingsworth — who studies human happiness — to create a campaign that embraced the notion that the emotion of joy is key to progress.

Armed with a new tagline, “Joy Will Take You Further,” the brand has created a set of joy-centric adverts which will appear in over 50 countries and be seen by over 270 million people.

3) Coca-Cola: I’d Like to Buy the World a Coke

Although joy marketing is a relatively new term, the concept is long-standing. In fact, this feel-good, joyful sentiment can be seen as far back as 1971, when Coca-Cola released this iconic advert.

The man responsible for the campaign, advertising executive Bill Backer, was clear about what he was trying to achieve:

 “I began to see a bottle of Coca-Cola as more than a drink … [it was] a tiny bit of commonality between all peoples, a universally liked formula … I could see and hear a song that treated the whole world as if it were a person – a person the singer would like to help and get to know,” he explained.

Backer’s vision played out successfully and the ad went on to resonate with millions of people across the globe. Coca-Cola received over 100,000 letters praising the advert and thousands of requests for sheet music – spreading the joy certainly worked! 

4) Reddi-wip: Unleash the Joy

ConAgra’s award-winning “Unleash the Joy” campaign was the 2013 predecessor to 2015’s “Share the Joy.” Designed with joy in mind, the ads aim to position Reddi-wip as a brand that helps people create lasting moments. 

Launched in an effort to increase sales, the campaign not only resulted in higher monthly sales, but it ultimately helped the company exceed their goal by boosting sales by 3.1%.

5) West Jet: Christmas Miracle Campaign

One look at WestJet’s 2013 “Christmas Miracle” campaign – which sees the airline hand out personalized Christmas gifts to unsuspecting flyers – proves the worth of joy marketing instantly.

According to shortyawards.com, this ad was Canada’s most shared viral ad of 2013 and in the top five globally – the relatively unknown Canadian airline gained in excess of 40 million YouTube views of their advert and increased sales by 86% on the previous year. A very merry Christmas indeed.

To keep up with the tradition, West Jet released a 2015 variation of the campaign — “12,000 Mini Miracles” — in which they set out to perform 12,000 random acts of kindness in a 24-hour period.

6) John Lewis: Man on the Moon

John Lewis recently launched its eagerly anticipated Christmas ad for 2015 … and it’s pretty joyful.

After spotting an old, lonely man on the moon through her telescope, a young girl tries and fails to make contact with him. Eventually she manages to deliver him a present, just in time for Christmas, by attaching it to some helium balloons. When he receives the gift, the old man sheds a tear of (you guessed it) joy.

Within an hour of its launch the ad had generated over 16,000 mentions on Twitter and was well on track to smash the record set by the previous year’s #MontyThePenguin ad (97,257 mentions over the first 24 hours). Compare this with the 2013 #BearandHare campaign (just 6,826 mentions in the first 24 hours), and it’s easy to see just how beneficial adopting this marketing tactic has been for John Lewis.

7) Beringer: Better Beckons

The “Better Beckons” campaign by Beringer Vineyards was inspired by, and features, Russian Instagram sensations Murad and Nataly Osmann. The couple gained an Instagram following of over 3 million with carefully framed hand-holding shots of their world travels using the hashtag #FollowMeTo.

Beringer was quick to bottle their joy-inducing power by commissioning a photo series of their very own.

The result? Six simple images that scream love, joy, and adventure. One look at Beringer’s Instagram page and it’s clear to see the positive impact of the campaign on increasing interaction — on average, a typical post featuring the joyful couple generated significantly more likes than those without.

 

#followmeto Napa Valley with @NatalyOsmann for an afternoon picnic @beringervyds. #BetterBeckons

A photo posted by Murad Osmann (@muradosmann) on Oct 30, 2015 at 10:34am PDT

How to Create Your Own Joy Marketing Campaign

Want to give joy marketing a shot? Follow these four simple steps to creating your own winning campaign:

  • Identify the joy. Identify the ways that joy is linked to your brand. Is your company ethos underpinned by a desire to create joy for both customers and staff? Does your product or service bring joy? Use this to underpin your entire campaign.
  • Locate your audience. How can they be reached and communicated with? Some brands will exclusively use social media as a platform for their campaign while others branch out to television advertising, email marketing, or print media. Identify the right route for your business before creating your content.
  • Plan and create your content. Would a documentary-style video best convey your message of joy? Will you opt for imagery? Animation? Look to the examples above when planning your content to stay inspired. 
  • Monitor your campaign’s success. Use analytics, social media listening tools, and surveys to gauge responses to your joy marketing efforts, learning as you go. Remember to focus on your ultimate goal and set KPIs.

What examples of joy marketing have you seen? Share them with us in the comments section below.

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Jeremy’s 5: Apple Pencil battery, Octane for Apple Watch, Free Google/Spotify $, djay Pro + Scribblenauts Unlimited

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Welcome to something new I’m trying out for 9to5Mac — a quick roundup of 5 interesting little things I’ve tested and discovered over the past week. These are all items that aren’t big enough for full articles, but are worth sharing with you anyway.

This week’s topics: real-world testing notes on the Apple Pencil’s battery, a quick look at Incipio’s new Octane watch band and case-style housing kit for Apple Watch, a way to score free Google Play and Spotify Premium credit, and thoughts on two apps — Algoriddim’s new djay Pro + Warner Bros.’ Scribblenauts Unlimited…

1. Apple Pencil. My colleague Zac Hall covered the Apple Pencil in a full review last month, and because we both love it, we’ve actively continued to use and talk about it for the last few weeks. While the Pencil’s charging pros and cons have been thoroughly discussed already, its real-world battery life has proved somewhat more difficult to quantify. Apple billed it as “12 hours,” and if you’re using it for 12 hours straight, that might be accurate. But both Zac and I have also noticed very significant power drops even when the Pencil’s not actively in use. It’s very common for me to see a 23-25% decline overnight when the Pencil hasn’t been used at all, such that a Pencil fully recharged but disconnected from a charger at night will start the next morning at 75% or 77%.

Apple-Pencil-Johnny

The culprit here appears to be Apple’s decision to omit a power button from Apple Pencil, seemingly keeping it turned on almost persistently, and/or using some overly sensitive trigger — perhaps an orientation sensor, rather than pressure on the tip — to wake it from sleep. On a positive note, this tends to mean the Pencil is always ready for instant use, but for us, it’s meant a lot of unnecessary wear on the stylus’s battery. Whatever the reason, knowing that you may be inadvertently running the battery down all day makes the Pencil less fun to carry around everywhere, and I’m hoping Apple can address it with a software update.

octane

2. Incipio Octane for Apple Watch. Ever since the first cases appeared for early iPods, there’s been a debate over the extent to which plastic wrap cheapens the look of Apple devices. There haven’t been as many discussions about the Apple Watch, in large part because cases have been relatively few in number and largely ignored. (Case in point: Speck’s CandyShell Fit, which I thought was sort of a mess, but Zac thought was interesting enough to review.)

After making some really nice leather and fabric Apple Watch bands earlier this year, Incipio’s new Octane for Apple Watch (above) switches to a substantially plastic design with results I just can’t get excited about. Made largely from what feels like TPU, Octane combines an impact-resistant frame with matching straps, held together using polished metal screws and hardware. Visually, the cheapening impact on even the Apple Watch Sport is profound, stripping almost all traces of metal from Apple’s design while leaving you with a bumpered glass screen, open rear sensor/charging disc, and exposed Digital Crown. Octane doesn’t yet have a place on Incipio’s web site, but online retailers are listing it for $40. If you need to wear your Apple Watch during extreme sports, construction projects, or otherwise potentially dangerous activities, you might (underscore might) want to check it out.

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On a brief related note: my review of Incipio’s first Apple Watch bands also included a look at Wristouch’s lineup of premium metal alternatives. I recently updated the review when Wristouch released the really nice link bracelet Meta, which delivers a handsome look and feel similar to Apple’s crazy-expensive Link Bracelet for much less. Take a peek.

chromecastdeal

3. Free Google Play + Spotify Premium Credit. I never owned Google’s Chromecast video streamer before, but a limited-time holiday deal made the small investment worth my time. Best Buy is currently offering the latest version of Chromecast for only $30, and it includes $20 of free Google Play Store credit, plus a free Google Play video rental (worth $5), a credit for 3 free months of Spotify Premium, as well as 1-3 month free trials of Sling TV, YouTube Red, and Google Play Music. You’ll need to redeem the offers through the iOS Chromecast app, which verifies that you bought and activated the unit within a pre-holiday timeframe. I bought mine through Best Buy’s website using same-day pickup.

djaypro

4. Algoriddim djay Pro. Zac’s news story on the incredible iPad music app djay Pro was so comprehensive that I didn’t feel that I could do further justice to it in a full review. But after using djay Pro for the last week — and having kept the two prior versions of djay on every iPhone and iPad I’ve owned since Algoriddim released them — I have to say that I’m just floored by how much of the $50 Mac app the company shoehorned into the $20 iPad version. Even if you put aside some of the Pro features Zac spotlighted, including support for four separate songs at once, video integration, and iPad Pro-ready shortcut and split-screen support, djay is a killer update to djay 2 for non-professional users.

One of the new features I love is djay Pro’s integrated visualizer system, which lets you instantly add your choice of beat- and mix-responsive light shows to whatever songs you’re playing. Alternately, you can fill the screen more effectively with effects tools and sliders, so you don’t need to flip panels open and closed quite as often, making Pro feel less like a (great) toy than a legitimate DJing tool. I personally have found myself every night playing with key-locked time stretching, introduced in djay 2, which lets you turn all of your favorite songs into slow jams or dance tracks without making their singers sound squeaky or gravelly. If you love music (particularly if you have a Spotify account, which djay can instantly access to let you mix millions of tracks), you owe it to yourself to play with the latest version of djay. Algoriddim has done a fantastic job with this app.

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5. Warner Bros. Scribblenauts Unlimited. As a parent, I try hard to balance my kids’ “fun” and “education” uses of their iPads, which isn’t always easy. There are tons of crappy freemium games in the iOS App Store, and similarly lots of one-note educational apps which appear to have been built by hobbyists chasing 99-cent payouts. So I’m always on the lookout for well-designed, educational games, and Warner Bros.’ new $5 Scribblenauts Unlimited is actually worth buying. As the sequel to Scribblenauts Remix, a popular console game that ported well to the iPhone and iPad, Unlimited places you in control of Maxwell, a kid who can walk, jump, and interact with people and objects using swipes and taps. The key to Scribblenauts, however, is using an on-screen keyboard to type words that create objects, solving puzzles. If you’re trapped on an island, you can create a jet pack, dragon, or boat to escape. At sea, you can fight pirates with a self-created cannon, laser, or shark. The cartoony, animated art is surprisingly funny and diverse.

Unlimited boasts a radically expanded word vocabulary with opportunities to “create anything” and “explore anything.” Rather than confining you to simple “go from point A to point B” tasks, Unlimited lets you enter areas where you can solve puzzles in your preferred order, unlocking other characters, challenges, and destinations as you go. With my kids, I took Maxwell into a hospital, where he helped heal a sick dog and an Arthurian knight before chasing down a bouncing heart transplant, fixing a robot, and assisting a lifesaving helicopter. In every case, the game gives you significant latitude to solve the problems, using nouns and adjectives to create frequently amusing objects. If you enjoy coming up with creative solutions to puzzles, Scribblenauts Unlimited is a must-see, regardless of your age.

More From This Author

Check out more of my reviews, How-To guides and editorials for 9to5Mac here! I’ve published a lot of different topics of interest to Mac, iPad, iPhone, iPod, Apple TV, and Apple Watch users, as well as a great holiday gift guide for iPhone users, a detailed holiday gift guide for Mac users, and a separate holiday gift guide for Apple photographers.

Filed under: Apple Watch, Apps, iOS

Check out 9to5Mac for more breaking coverage of Apps, iOS, and Apple Watch.

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IDC predicts Apple Watch sales will hit 45M/year by 2019, still lead smartwatch market

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Market intelligence firm IDC is forecasting that annual Apple Watch sales will increase from an estimated 13M units this year to 45.2M units in 2019, representing a compound annual growth rate of 36.5%.

The firm predicts that although Android Wear smartwatches will experience even stronger growth of 80.5%, Apple’s much stronger starting point will see it remain the market leader throughout the four year period. By 2019, IDC says, Apple will have a 51.1% market share, with Android Wear next at 38.8% and smaller platforms making up the difference.

The Apple Watch is described as “the measuring stick against which other smartwatches and platforms are compared,” and is said to have two key advantages over other platforms …

Apple’s watchOS will lead the smartwatch market throughout our forecast, with a loyal fanbase of Apple product owners and a rapidly growing application selection, including both native apps and Watch-designed apps.

The growth of Android Wear will be fueled by a mix of technology companies and traditional watchmakers, while it predicts that Pebble will maintain modest growth due to its simple user-interface and low price.

With Apple declining to disclose sales, we’re currently dependent on analyst estimates and channel shipment reports to give some clue as to likely numbers. These estimates are, to say the least, variable. Creative Strategies’ Ben Bajarin recently told a conference that sales will hit a staggering 100M by 2017 – more than double IDC’s forecast for two years later – while Asymco’s Horace Dediu suggested 21M in the first 12 months.

Apple does, however, appear to be pushing hard for growth, with a number of significant price promotions available recently at levels which suggest discounted supply from Apple.

idc

Filed under: Apple Watch Tagged: Apple Inc, Apple watch, Apple Watch estimate, Apple Watch forecast, Apple Watch growth, Apple Watch market share, Apple Watch sales, Compound annual growth rate, Market share

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Apple promotes Jeff Williams to Chief Operating Officer, Phil Schiller will oversee all App Stores

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Apple today announced a few leadership changes including a new COO and changes to App Store leadership. Jeff Williams, previously Senior Vice President Operations, is officially being promoted to Chief Operating Officer which is CEO Tim Cook’s old title.

Phil Schiller, Apple’s Worldwide Marketing SVP, will add to his responsibilities the task of overseeing all the App Store leadership. The App Store change notably follows discontent from developers that the iPhone App Store has seen more focus than the Mac App Store, which key developers have left in recent months.

Johny Srouji, previously Vice President Hardware Technologies, is being promoted to the executive level as SVP of Hardware Technologies. And Tor Myhren will join the company early next year to become VP of Marketing Communications. Press release below:

From Apple.com:

Apple Names Jeff Williams Chief Operating Officer

Johny Srouji Named to Executive Team; Phil Schiller Adds Ecosystem Responsibilities

Tor Myhren Joins Apple

CUPERTINO, California — December 17, 2015 — Apple® today announced that Jeff Williams has been named chief operating officer and Johny Srouji is joining Apple’s executive team as senior vice president for Hardware Technologies. Phil Schiller, senior vice president of Worldwide Marketing, will expand his role to include leadership of the revolutionary App Store® across all Apple platforms. Apple also announced that Tor Myhren will join Apple in the first calendar quarter of 2016 as vice president of Marketing Communications, reporting to CEO Tim Cook.

“We are fortunate to have incredible depth and breadth of talent across Apple’s executive team. As we come to the end of the year, we’re recognizing the contributions already being made by two key executives,” said Tim Cook, Apple’s CEO. “Jeff is hands-down the best operations executive I’ve ever worked with, and Johny’s team delivers world-class silicon designs which enable new innovations in our products year after year.”

Cook continued, “In addition, Phil is taking on new responsibilities for advancing our ecosystem, led by the App Store, which has grown from a single, groundbreaking iOS store into four powerful platforms and an increasingly important part of our business. And I’m incredibly happy to welcome Tor Myhren, who will bring his creative talents to our advertising and marcom functions.”

Jeff joined Apple in 1998 as head of worldwide procurement and in 2004 he was named vice president of Operations. Since 2010 he has overseen Apple’s entire supply chain, service and support, and the social responsibility initiatives which protect more than one million workers worldwide. Jeff played a key role in Apple’s entry into the mobile phone market with the launch of iPhone®, and he continues to supervise development of Apple’s first wearable product, Apple Watch®.

In nearly eight years at Apple as vice president of Hardware Technologies, Johny Srouji has built one of the world’s strongest and most innovative teams of silicon and technology engineers, overseeing breakthrough custom silicon and hardware technologies including batteries, application processors, storage controllers, sensors silicon, display silicon and other chipsets across Apple’s entire product line. Educated at Technion, Israel’s Institute of Technology, Johny joined Apple in 2008 to lead development of the A4, the first Apple-designed system on a chip.

With added responsibility for the App Store, Phil Schiller will focus on strategies to extend the ecosystem Apple customers have come to love when using their iPhone, iPad®, Mac®, Apple Watch and Apple TV®. Phil now leads nearly all developer-related functions at Apple, in addition to his other marketing responsibilities including Worldwide Product Marketing, international marketing, education and business marketing. More than 11 million developers around the world create apps for Apple’s four software platforms — iOS, OS X®, watchOS™ and tvOS™ — as well as compatible hardware and other accessories, and customers have downloaded more than 100 billion apps across those platforms.

Tor Myhren joins Apple from Grey Group, where he has served as chief creative officer and president of Grey New York. Under his leadership, Grey was named Adweek’s Global Agency of the Year for both 2013 and 2015. As vice president of Marketing Communications at Apple, Tor will be responsible for Apple’s advertising efforts and will lead an award-winning team that spans a broad range of creative disciplines from video, motion graphics and interactive web design to packaging and retail store displays.

Tor will succeed Hiroki Asai, who earlier announced plans to retire after 18 years in graphic design and marketing communications roles at Apple.

Apple revolutionized personal technology with the introduction of the Macintosh in 1984. Today, Apple leads the world in innovation with iPhone, iPad, Mac, Apple Watch and Apple TV. Apple’s four software platforms — iOS, OS X, watchOS and tvOS — provide seamless experiences across all Apple devices and empower people with breakthrough services including the App Store, Apple Music, Apple Pay and iCloud. Apple’s 100,000 employees are dedicated to making the best products on earth, and to leaving the world better than we found it.

Press Contacts:
Kristin Huguet
Apple
khuguet@apple.com
(408) 974-2414
Apple, App Store, iPhone, Apple Watch, iPad, Mac, Apple TV, OS X , watchOS, tvOS and the Apple logo are trademarks of Apple. Other company and product names may be trademarks of their respective owners.

 

Filed under: iOS Devices

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Adobe Post debuts on iPhone, lets anyone create memorable graphics on-the-go

Adobe Post

Adobe is out today with its latest iOS-first app for mobile creatives. Adobe Post joins the free suite of other easy-to-use mobile apps for sharing that includes the Slate and Voice iPad apps. Where Voice lets you combine recorded storytelling with visuals and Slate lets anyone create magazine-quality stories from iPad, Adobe Post makes creating good-looking, sharable graphics from the iPhone as easy as picking the right image, font, and words.

The easiest way to describe Adobe Post is as a more professional meme generator app that you can take seriously. Meme generator apps let you stack text over images to send a message over social media, and Post does the same thing but with Adobe’s expertise in creativity behind it.

The app lets you use your own imagery or pick from Adobe’s offerings, apply customizable text with rich fonts over images, and even use designs created by others for inspiration.

Projects can be saved after they’re created and reused or tweaked for future use. Sharing supports Instagram, Twitter, Facebook, saving to the Camera Roll, email, messaging, and more. And iPhone 6s and 6s Plus users can take advantage of 3D Touch in the app from day one.

You don’t need to know Photoshop or Lightroom to enhance photos and layouts either, but because Adobe makes it all the same editing quality is available. Adobe says this is what people have been creating during Post’s testing:

• Social media posts
• Inspirational quotes
• Event invites
• Album covers
• Email newsletter graphics
• Announcement posters
• Blog banners
• Business graphics
• Photo captions
• Text on photos

Adobe Post for iPhone is available completely free on the App Store.

Filed under: Apps Tagged: Adobe, Adobe Post, creatives, generator, Graphics, Meme, Post, social, storytelling

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Blackberry CEO attacks Apple’s stance on privacy, says ‘putting reputation above the greater good’

blackberry

Blackberry CEO John Chen has written a blog post criticizing Apple’s strong stance on the privacy of customer data, suggesting that BlackBerry’s own privacy commitment “does not extend to criminals.” Although he does not name Apple directly, Chen links to an arsTechnica piece in which a NY federal judge expressed displeasure at Apple’s position in a case involving an iPhone belonging to a suspected drug dealer.

For years, government officials have pleaded to the technology industry for help yet have been met with disdain. In fact, one of the world’s most powerful tech companies recently refused a lawful access request in an investigation of a known drug dealer because doing so would “substantially tarnish the brand” of the company. We are indeed in a dark place when companies put their reputations above the greater good.

Apple uses end-to-end encryption for both iMessages and FaceTime, making it impossible for the company to decrypt these communications, and also introduced strong encryption of iOS devices in iOS 8, again leaving the company unable to access locked devices.

Opposition to Apple’s approach has included the United States Attorney General, the FBI, the DOJ and other law-enforcement agencies – with the Homeland Security Committee and CIA joining in following the Paris attacks.

Chen seems unaware of both the irony of his stance – as head of a company built on secure communications – and the potential damage to the company’s reputation by implicitly suggesting that its own devices can have their privacy compromised. As I argued in a recent opinion piece, if you build in a hole designed to be used by law enforcement agencies, it’s only a matter of time before criminals gain access.

Via Business Insider. Photo Bidness Etc.

Filed under: iOS Devices

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Confessions of a HubSpot Editor: 11 Editing Tips From the Trenches

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When I first started editing pieces for HubSpot’s Marketing blog, I was really, really scared. 

I had spent the previous months as a full-time writer, soaking up as much feedback as I could to write the best pieces possible. Then, the tables were turned. Suddenly, I had to be the expert on what we should be publishing, how to fix incoming pieces, and how to give feedback to people who had decades more experience than I in marketing. 

I was terrified. 

Two years later, I realize that I was right to be scared. Editing is one of the hardest parts of creating quality content and scaling that across your organization. You’re in charge of establishing and maintaining The Quality Bar — an oft-lauded but squishy, intangible concept that no one can actually define for you. And you better do that while growing your audience, training new writers to meet The Quality Bar, and getting buy-in for your content across your organization. 

The good news is your fear goes away after a while. After editing hundreds of pieces, training two full-time writers, and making plenty of mistakes, I’ve uncovered a few tips that I’d recommend to any editor looking to up their game. And I want to share some of these hard-learned lessons with you, too. 

How to Be a Better Editor: 11 Tips From the Trenches

1) Question every fact, stat, name, and example.

As The Defender of The Quality Bar, your job is to be the ultimate devil’s advocate. You need to wonder whether Oscar Wilde really said that quote … or it’s just another platitude someone stamped his name on. You need to see whether that stat you’re using to back up the crux of your piece really means what the writer said it means … or whether the original study said something different entirely. You need to second-guess whether your main source’s name is spelled properly … or you need an extra ‘n’ at the end. 

The only way you’re going to uncover these mistakes is to question everything. So make it a habit.

2) Zoom in and zoom out to uncover adjacent ideas. 

Even the best editors get stuck when thinking of new ideas. You block off time to fill out your editorial calendar for the next month, and then … nothing. 

I’ve picked up a really handy trick that’ll help unlock lots of new ideas — I call it The Zoom In, Zoom Out Method. Here’s how it works: 

  1. Think of one idea. Yes, just one. It doesn’t have to be good — it just has to be something concrete. I’ll use this as my idea for this example: “10 Tips for Writing Blog Posts Faster.”
  2. Then, zoom in on your idea. Are there sub-sections of your idea that you could turn into a whole post? Can you narrow your topic to make it more appealing to certain audiences? If I want to zoom in on “10 Tips for Writing Blog Posts Faster,” I can uncover lots of other topics, such as “10 Tips for Writing Titles Faster” or “10 Tips for Writing List Posts Faster.” In each of those titles, I’m just taking my first topic … and making my world a little smaller. 
  3. Then you go the opposite way — zoom out from your topic. In this step, you’re increasing the scope of your post and focusing less on the very small details. For example, when I zoom out on “10 Tips for Writing Blog Posts Faster,” I could uncover “10 Tips for Writing and Designing Content Faster,” or “The Science of Being More Efficient.” Both of these latter titles are related to the initial idea, but they’re broader in scope. 
  4. You can continue this process over and over and over until you build out a huge backlog of ideas. 

So next time you think you can’t think of any new ideas, think again. Little tweaks can uncover a plethora of successful ideas.  

3) Recognize your own boredom. 

This advice is something I recently learned from an episode of the podcast Startup — but it’s probably one of the most important lessons I’ve learned in the past two years. In this episode, Alex Blumberg shares their entire process for creating some of the most compelling podcasts on the market today. 

His biggest tip when working with producers to edit episodes? Recognize when you’re getting bored — it’s your brain telling you that some serious editing needs to happen.

So when you’re assessing a piece, keep part of your mind on the task at hand and part of your mind on your own emotions. If you find yourself pulling up your Facebook feed for the tenth time to escape from reading the piece, stop.

Look inward. Why are you bored? Is it the topic? Is the way the argument is presented? Is it the way the piece is designed?

Then, think about ways to solve those problems. Add formatting? Rewrite the intro? Design a supporting visual? Rework the thesis? Abandon the piece altogether? 

Being more attuned to your emotions — especially once you’ve had a few months of editing under your belt — will help you better assess pieces and give feedback. 

4) If you’re not sure what’s wrong with a piece, zoom into the details, and then zoom out to uncover larger themes.

I know what you’re thinking. What if you’re bored and you can’t figure out what the heck is wrong with the piece? I’ve got a solution for you, my friends. 

When this happens to me, I like to dive into the details of the feedback. I’ll write up an email with suggestions like, “In this paragraph, add a sentence about XYZ to strengthen your point,” or “Can you add an image here?” But before I hit send, I take a second to zoom out of my feedback: Can I pull out any patterns within the specifics to speak to higher-level problems? 

This reflection process allows me to get to the crux of the piece’s problem, even when there are lots of competing issues. 

5) Know when your feedback should be super detailed — and when it shouldn’t. 

It can be tempting to send writers feedback that includes line-by-line changes. In fact, it’s absolutely needed when a writer is brand new to your team and is learning the ropes about your brand’s voice, style, and Quality Bar. 

But once they’ve progressed beyond the point where you need to tell them that yes, your style guide dictates “real-time” when used as an adjective and “real time” when it’s a noun, you need to change strategies. You want the writer to be able to uncover weak parts of their pieces without you having to spoon-feed them every time. 

In that stage, your feedback should become less detailed. It should still be specific — i.e. “You tend to use passive voice,” not “Your writing sounds weak.” — but you shouldn’t be pointing out line-by-line changes. When you’re too specific with your feedback after your writers have achieved a certain level of expertise, they’ll by psyched that you spent time pointing out mistakes … but may not generalize those mistakes to other situations. 

So don’t shy away from detailed feedback, but realize that specific, less-detailed feedback can also be useful when training writers. 

6) Decide which mistakes are non-negotiable — and never make them.  

When you’re the one upholding The Quality Bar, it can be easy to obsess over every. single. detail. to make sure you’re not making any mistakes. 

The truth is, that obsession can be unhealthy. It can make you reread a post over and over and over, hoping and praying you haven’t missed anything. It can wake you up at 5:45 in the morning wondering if you actually misspelled the title of your morning’s blog post. It can paralyze you, make you afraid to hit publish.

And even when you’ve done everything you can possibly do, you’ll still have a commenter point out that you misspelled something in your introduction. 

Your goal shouldn’t be to avoid making any mistake ever — it should be to never make mistakes that matter. 

So that its/it’s mix-up in your sixth section? That’s an easily fixable mistake that doesn’t really have an impact on your overall piece’s success. 

The typo in your title, however? That’s a non-negotiable mistake. 

Figure out what mistakes you absolutely can’t make, and make sure every piece you edit and approve doesn’t make any of them. This will save you from many sleepless nights while also preserving your Quality Bar.  

7) Keep a list of mistakes you make, and then “Find and Replace” them before publishing a piece.

Confession: One of my recent pet peeves when editing is using plural pronouns when referencing groups or companies … but it’s also one of the things I’m most guilty of when writing. 

Knowing that, I make sure to do a “Find and Replace” before I publish a piece to make sure I have all of my pronouns straight. 

Identify what writing and editing weaknesses you have, and then search for them in each post before you schedule it. It’s as simple as hitting Control + F on a PC or Command + F on a Mac, typing in your problem word or phrase, letting your browser take you to the word or phrase in your piece, and then swapping it out with the right thing. 

This simple tip will help you polish pieces in just a few minutes. 

8) “Find and Replace” HTML snippets to quickly clean up a post’s formatting. 

This same tip works when you’re trying to clean up a post’s formatting. Instead of opening up your source code and manually stripping out problem areas, you can simply Find the problem code and leave the Replace box blank. Once you hit “All,” the problem code snippets will disappear completely. You can use this trick to swap out tags, too. 

This tip really is about using technology to find shortcuts to time-consuming problems. It’ll free up your time to focus on more important matters. 

9) Lean on Google and Word to prevent spelling and grammatical errors.  

Even if you’re the most knowledgeable editor, it can be easy to forget if you need a comma in that sentence or if that word should be capitalized or not. When in doubt, don’t brush past your concerns — Google them. You will find an answer from folks who are way more experienced with writing and editing than you are (and learn more in the process). 

I also recommend using Word to help you do a final spell and grammar check. While Word won’t catch all of your mistakes, it can help you catch any last glaring errors. 

So before you schedule a post, make sure to copy all of your text and paste it in a Word document. And give the document a few extra seconds to process your piece once you’ve pasted it in there — Word takes a little longer to “read” your piece and uncover any mistakes. You’ll know it’s done when you see a little red X at the bottom of your document window:

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10) Realize each piece shouldn’t sound like you wrote it. 

There is such a thing as overediting. 

If every piece you edit ends up sounding like you wrote it, you’ve overedited it. 

Your job, as an editor, is to preserve the voice of your writer while making sure they are meeting your Quality Bar. So if they crack a joke that’s not funny, you have a right to take it out. But if the joke is cute and you’re just reworking it to sound like something you’d say, you’re taking it too far. 

After you edit each section of a piece, make sure you look back and ask yourself the toughest questions of all: Did I really make that section better? Am I just saying what they said, but in my own voice? If so, you should go back and work their voice back in. Re-integrate some phrases they use. Keep that pun. Let one of their interesting word choices stand. 

11) Make peace with not knowing everything. 

Editing is filled with gray areas — gray areas you are not always going to know how to deal with.

Is that title really that much better than this title? Is that metaphor really the best way to explain a complex issue? Is this section really going to offend someone?

Even though you are The Defender of The Quality Bar, you don’t, can’t, and won’t know everything. Question everything — including yourself — and ask people for help when you need it.

Challenging your own knowledge and assumptions doesn’t mean you’re bad at your job. It just means you’re experienced enough to know you don’t know everything.

And when you get to this point, I promise you one thing: You won’t be scared of editing anymore. 

What are your favorite editing tips? Share them in the comments section below.

free writing style guide template

Music industry analyst estimates Apple Music will hit 8M paid subscribers this year, 20M next year

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A well-known music industry analyst is estimating that Apple Music will hit 8M paid subscribers by the end of the year, and will reach 20M by the end of 2016, reports Music Business Worldwide. The prediction was made by Mark Mulligan, co-founder of digital content specialists Midia Consulting, who previously held senior research positions with Forrester and Jupiter.

In raw numbers terms, that would put it just behind market leader Spotify by the end of next year, but that may not quite present the true picture …

Spotify’s ‘paid subscribers’ currently include those on its three-month trial of Spotify Premium, which costs just $1/month. Its true numbers are thus likely to be significantly lower.

“The wildcards in the equation are whether Apple can do a better job of pushing users from iTunes Radio to Apple Music and what happens when Spotify restates its subscriber number to  reflect the impact of $1 a month 3 month trials,” writes Mulligan.

Apple revealed in October that it had 6.5M paying subscribers, a take-up rate Mulligan described as ‘astounding.’ As I mentioned at the time, however, there is also an unknown in Apple’s numbers: how many of those are free trialists who simply forgot to cancel before the first payment was taken? Apple may also have further muddied the waters by gifting paid subscriptions to retail employees.

Apple reportedly tried hard to negotiate deals with labels that would have allowed it to charge less than $10/month for the service, but labels resisted. Mulligan believes that Apple hasn’t necessarily given up on this aim.

If Apple finds growth tough going, expect it to throw everything it has got at getting the labels to agree to lower price point products so it can open up large chunks of the iTunes music customer base.

If the 8M figure turns out to be correct, Apple will have acquired twice as many subscribers in six months as Spotify achieved in its first four years.

The service got a new group of potential subscribers this week when Sonos rolled out support for the service, albeit in beta form for now.

Filed under: Apple Music, iOS Devices Tagged: Apple Inc, Apple Music, Music, Spotify, Streaming media, Streaming Music

Visit 9to5Mac to find more special coverage of iOS Devices, Apple Inc, and Apple Music.

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How to Perform a Detailed Analysis of Your Social Media Competitors

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Do you want better results from social media? Have you considered researching your competitors? If you’re not getting the results you want from social media, a little research and the right tool can help you refine your social media strategy. In this article, you’ll discover how to perform a detailed competitive analysis and improve your […]

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How to Balance Innovation and Competition: Growth Secrets From Lyft’s CMO [Podcast]

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If you’ve ever taken a Lyft, you know the ride’s been a little different than those with other ride-sharing apps.

Your car is adorned with a bright pink mustache. You sit right up front next to the driver. You may even give them a fist bump.

These quirks help differentiate Lyft as the friendly, human option in an uber-competitive industry … and it seems to be working.

The startup is one of the fastest-growing ride-sharing apps on the market.

Want to hear how Lyft’s been able to grow so fast?

Listen to this week’s episode of The Growth Show to hear from Lyft CMO Kira Wampler about surviving (and thriving) in an insanely competitive industry. Some episode highlights include:

  • How Lyft thinks about the balance of innovation and competition 
  • Why Wampler loves to hire player-coaches
  • How Lyft has scaled non-scalable parts of its culture
  • How Wampler explains marketing to her kids

Click the play button below to listen to this episode in your browser, or subscribe on iTunes to download episodes directly to your phone:

Check out the latest recaps of The Growth Show episodes by clicking here.

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