As expected, Apple’s Chief Design Officer Jony Ive today took the stage at Vanity Fair’s New Establishment Summit at the Yerba Buena Center for the Arts in San Francisco. Ive shared the stage with famed director, writer, and producer J.J. Abrams. During his time on stage, the Apple executive spent a decent amount of time discussing the life of the late Steve Jobs, who passed away four years ago this week.
Regarding the time when Jobs passed away, Ive remarked that he “was faced with this wall of grief.” Perhaps as a slight jab at recent films that have portrayed Jobs in a negative light, Ive also noted that he remembers the characteristics of the former Apple CEO that were “essentially him,” not the harsher nature with which he is often associated. Ive remarked that he does not remember Jobs the way he “is being frequently and popularly portrayed at the moment.”
Ive also noted of Jobs’s drive to make something perfect. “Steve Jobs never worked with a feeling of entitlement,” he explained. Jobs’s goal in reality was “heartwarmingly simple,” Ive said:
“What’s remained is almost unremarkable, but what’s remained is his very simple focus on trying to make something beautiful and great. And it really was simple. There wasn’t a grand plan of winning, or a very complicated agenda. That simplicity seemed almost childlike in its purity. And it’s true.”
Furthermore, Ive noted of Jobs’s love for the product design portion of development, explaining that during the design phase, Jobs was happier than he had ever been before:
I don’t think I’ve ever seen anyone so happy, as I saw him—this very simple kind of joy—when he would realize, “This is actually working out. This could be great.” It was just the simplicity of that.
Aside from talking about Steve Jobs, Ive noted of a couple of other design philosophies he believes in. “The best ideas come from the tentative suggestion,” Ive explained. “We’re capable of discerning far more than we are capable of articulating.”
I was talking to a friend of Steve’s and a friend of mine earlier in the week, on the day that marked the fourth anniversary of his death. What struck me, four years ago, is that I was faced with this wall of grief. A lot of messy—a whole series of multiple feelings. In thinking of him then, there was this incredible complexity of all his attributes. What has been very surprising, is that over the four years that have passed, so much of that noise, and so many of his attributes, they’ve ended up essentially receding. And what’s left is . . . just him.
Quite honestly, what’s remained, I never would have predicted four years ago. What’s remained is almost unremarkable, but what’s remained is his very simple focus on trying to make something beautiful and great. And it really was simple. There wasn’t a grand plan of winning, or a very complicated agenda. That simplicity seemed almost childlike in its purity. And it’s true.
I don’t think I’ve ever seen anyone so happy, as I saw him—this very simple kind of joy—when he would realize, “This is actually working out. This could be great.” It was just the simplicity of that.
That stands in such contrast, obviously, to how he’s being frequently and popularly portrayed at the moment. The lack of agenda.
He certainly had a sense of a civic responsibility to make something good, as a way of somehow making a contribution to humanity, and to culture.
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